• Work
    • 2021 MARGINS OF ERROR
    • 2020 PERIOD COMMA SUNSET
    • 2019-20 TACTILE ACTS
    • 2018 RE-LINED
    • 2017 SUSPENDED GESTURES
    • 2017 WILD THINGS
    • 2016 THE CHASE
    • 2015 AUTOBIOGRAPHIES
    • 2014 BREATHING THINGS
    • STUDIO
  • About
    • BIO
    • CV
  • NEWS
  • COLLABORATION
  • CONTACT

Taylor O. Thomas

  • Work
    • 2021 MARGINS OF ERROR
    • 2020 PERIOD COMMA SUNSET
    • 2019-20 TACTILE ACTS
    • 2018 RE-LINED
    • 2017 SUSPENDED GESTURES
    • 2017 WILD THINGS
    • 2016 THE CHASE
    • 2015 AUTOBIOGRAPHIES
    • 2014 BREATHING THINGS
    • STUDIO
  • About
    • BIO
    • CV
  • NEWS
  • COLLABORATION
  • CONTACT
View fullsize (Sold) A Bridge for Every Day
View fullsize (Sold) Arrest
View fullsize (Sold) Building and Breaking Bridges
View fullsize (Sold) Tower Over, Tuck Me In
View fullsize (Sold) Stone for Stone
View fullsize (Sold) Courage
View fullsize (Sold) The Secret(s) to Being a Girl
View fullsize (Sold) Fight or Flight
View fullsize (Sold) Learning to Walk
View fullsize (Sold) Sound of Stagnancy
View fullsize (Sold) Even Mountains Can Move
View fullsize (Sold) It Drives Out Fear
View fullsize (Sold) Becoming Clean
View fullsize (Sold) Held Not by Fences
View fullsize (Not for sale) Begin Me
View fullsize (Sold) Draw Me Kindly
View fullsize (Sold) Follow and Lead
View fullsize (Sold) If Statements
View fullsize (Sold) The Life of Things
View fullsize (Sold) At the Gate Called Beautiful
View fullsize (Sold) Rain and Shelter
View fullsize (Sold) She Sings Her World
View fullsize (Sold) Truth and Dare
View fullsize (SOLD) My Utmost Line
View fullsize Nothing Held, Nothing Lost
View fullsize (Sold) Shepherd Strings
View fullsize (Sold) In the Little Things
View fullsize (Sold) With Wings
View fullsize (Sold) Rest (The Paradox of Rest and Run)
View fullsize (Sold) Run (The Paradox of Rest and Run)
View fullsize Your Vision Exceeds Me
View fullsize (Sold) This I Have (The Body)
 

Breathing Things

“God, just give it breath."  These are the words that I utter before beginning every piece.  What I bring to a canvas is an array of thoughts, conditions, and questions, some deeply personal and others widely considered—that is, the “messy humanness” that I wear so well and that I long to figure out.  I eagerly grab for paint, pastels, and miscellaneous tools that turn these loose concepts into images that can breathe, ones that have “more” to them than me.  I am inspired by the thought that once I finish my work, the viewer can begin his or hers.  The painting becomes an interface—taking and giving, asking and revealing—to an extend beyond that which I could plan for on my own. These pieces that currently maim my carpet and douse the walls of my tiny apartment are my outlets for digging deeper, connecting to others further, and living with more risk. 

-TOT, June 2014